What Does It Take To Become An Animator

There is a high demand for creative 3D animators. They are needed in the video industry, advertisement, gaming and even website industries. With 3D animation, the animator uses traditional and new animation methods to produce real life computer generated animated imagery to visually interpret and convey information or messages.

The 3D animator has to keep up to date with constantly emerging new techniques, tools, software, methodology, production techniques and a lot more. Many people with interest in the field would wonder want it takes to be a 3D animator. 3D animation comprises of various aspects so the demand and requirement might be a bit varied.

While a lot of the skills of a 3D animator are learned it is important that the animator already has some qualities. The needed characteristics include being creative both artistically and technically. What this requires is more than an understanding and mastery of the technical aspects of computer animation and illustration but also a high ability to be creative artistically. It is also important to be innovative and intelligent. A good animator would be one who not only loves new technologies but learns to use them well and effectively.

Apart from the personal qualities also referred to as soft skills, as they can not be measured, one may also need some form of formal education to become a 3D animator able to command a decent income. Some institutions offer relative short courses on 3D animation. It would be helpful to have a bachelor’s degree in any art related discipline especially if it has some courses on art history, English, social science, natural science, studio art with some emphasis on animation.

Next it is important to train and practice a lot. Your choice of education must involve a lot of studio work where you can train and practice. You should take the time to learn how to use latest technology that keeps updating almost everyday. Some programs that are necessary to master include Flash, Adobe Photoshop, 3D Studio Max, Adobe Illustrator, CAD, Adobe After Effects, Light wave, Rhino, Swish and many more. Ability to use these programs increases your value and proficiency.

As you begin on the road to becoming a creative and talented 3D animator it is also advised to build a portfolio of your work. The portfolio would serve as a credible evidence of your abilities and skills as a 3D animator in your chosen industry. A lot of the programs being used make 3D animation a lot easier and productive. You would however still need to put in a fair amount of hard word and dedication to become a proficient 3D animator.

The Art of 3D Animation – Are You Up To It?

Over the ages there has always been a confrontation between two ideologies: art for art’s sake and art for human upliftment. 3D animation is also an art form predominant in this information age marked by numerous inventions. Technological advancement is a major catalyst for the ideology of art for upliftment. 3D animation is the perfect amalgamation of both.

3D animation encapsulates the essence of art its dynamic and ever evolving nature makes it a potent combination of paintings, drawing and sculptures. This form of art challenges the creative and the intellectual streak in the artist. The artist now does not only use the traditional means but also has to show technological intelligence.

This study involves an intricate software understanding and computer animation. The form of art is so immaculate that one needs to draw, paint and model the design within the realm of 3D animation. Lighting, cinematography, color scheme, textures, sound synchronization, shading, contrasts and animation are some of the other requirements to be a professional 3D animator. 3D animation has transcended the boundaries of entertainment and has been incorporated into the realm of education, industries and corporate organizations.

The first step to be a 3D animator is that aspirants need to understand to make an animation on needs to literally sculpt a model with the technological strokes and bring the inanimate matter to life. Taking or withdrawing elements from the model one has to judge the creative work from different vantage points. 3D animation usually starts with 2D photographs which presents the model from different angels.

To create a sequence of animations one has to create a detailed view of the model in the format of sketches, scripts and transitions. Tools play a major role in this creative process but it does not abrogate creativity from the work of art, for a 3D animation aspirant, determination is the only tool and nothing even technological requirement of any sort can take away quality from the creation.

The process of acquiring 3D animation techniques is the creation of a backdrop, the set designing, the character modelling, the animation, cameras, recording, music compositions and special effects. The module in the study of the 3D animation includes 3D modelling, 3D prototypes, Character animation, Special effects, architectural improvisations and engineering technicalities. 3D Animation also requires workflow, timelines, research, detailing and structuring.

This creative field demands its aspirants to be immaculate in the tricks of animation which include JPEG, GIF, TIFF, TGA and PNG file format. Holistically, 3D animation requires the creator to have an aesthetic taste from the placement of the model. 3D animation brings to life all static images and is the foundation of the brand image of an institution lest one looses the public interest. 3D animation if excessive can be tedious for the viewer and professional 3D animators need to understand and define the viewers line of equilibrium. 3D animation has the agency to simplify the most complex concepts, ideas and visualizations which would require creative and technological genius.

Top 5 3D Animated Films And Characters Of All Time

The magical spells that animated cartoon characters cast, are eternal and never cease to leave the audience spellbound. From tiny tots to their beloved grandparents, none can deny that these animated cartoons have those splendid, special secrets about them that make them leave an everlasting impression on the minds of the spectators.

So what is it about them that are so stunning? Is it the magnificence of the technology combined with art that astonishes the audience? Or is it their ability to transform us into an entirely different world that captivates the minds of million? Whatever be it, the few hours of immense cheerfulness that they bring into our lives is unmatched and leaves us only asking for more.

The world has watched the performances of plenty such fun filled movies yet there are a select few which have become legends in the world of animated pictures. So what are the top 5 all time favorite animated cartoons? And what makes them more special than the others?

1) The Lion King

The life of Simba is beautifully portrayed in the movie starting from its childhood and the years that followed leading to a mature king who efficiently saves the land of pride from wrong hands and rules over it successfully. The assortments of emotions displayed by the Lion and all the other characters are enthralling!!!

2) Finding Nemo

No body needs to be reminded of this movie which was the only one to top the Lion King at the box office. The adventurous pursuit of Marlin in finding Nemo in conjunction with Dory is considered one of the most enjoyable escapades ever in the history of animated cartoons.

3) Ratatouille

An impossible dream of a rat aspiring to become a chef was an entirely novel concept that was greeted well by the audience. Remy’s role as a secret chef in a French restaurant is an excellent recipe for laughter. The culinary world of Paris becoming Topsy-turvy because of a rat race is perfectly depicted in the film.

4) Shrek

An attempt to regain his swamp from a King, leads the green ogre, Shrek in a path of love that he has never tread before. The movie takes us into a fun filled journey, led by Shrek his pal donkey and his new found love Princess Fiona. The tag line that quotes “The greatest fairy tale never told” is just a fitting description to the movie.

5) Ice Age

When the whole animal kingdom was frightened by the upcoming Ice Age, four animals Sid (sloth), Diego (tiger) Scrat (Squirrel) and Manny (mammoth) are united in a mission of returning a human infant to his father. The obstacles faced by this unusual group of heroes simply during their mission left the audience simply astound.

Though each and every animated cartoon is unique in its own way, they are all united by one universal theme of love. They convey to us the message that life in any form deserves respect.

How to design your own 3D Animation easily

Designing an own 3D Animation is good to develop personal skills. Now these days people are very much interested to develop their own skills on 3D Animation designing. Now We will see how to design a 3D Animation for personal interest.

Easy 3D Objects is intended for creation of 3D animations and illustrations. Areas where you can apply Easy 3D Objects: -making 3D GIF- animations for the Web; -making 3D banners; -making 3D illustrations; -presentation materials; –development of creative imagination. … Program features: -adds to 3D scene the following types of objects: dummy cube, sprite, plane, disk, cube, frustum, sphere, cone, cylinder, annulus, torus, arrow line, space text, mirror; -edits parameters of objects; -rotates and moves objects and groups of objects; -fills objects by color or texture from BMP, JPEG.

SWiSHmax has everything you need to create stunning fully interactive Flash animations. You can create shapes, text, buttons, sprites, and motion paths. You can also include more than 230 ready-to-use animated effects including explode, vortex, 3D spin, and wave. … You can preview your animation inside SWiSHmax without launching a browser or external player, and live editing lets you make changes while the animation is playing. … You can create your own effects or make an interactive movie by adding actions to objects.

Feature wise, Realsoft 3D introduces global illumination, multi-wavelength ray-traycing for accurate spectral caustics and other optical effects, sub-surface scattering for realistic human skin shading. Don¥t rush to the plugin shop every time you need to create something new – get Realsoft 3D.

3DMagix is an advanced animation software and is a full featured modelling, rendering, animation and simulation package. It matches up to the level of features that Maya and 3D Max offers but at a lower cost. On the animation front a full range of tools – from easy key framing to event driven nonlinear animation- is supported. … 3DMagix is a complete solution for high end 3D-production at an unprecedented price

Effect3D is a powerful editing tool that lets you create professional looking 3D objects, add animation, and use a wide range of 3D effects. Effect3D’s Power Wizard does the work for you, so whether you’re a novice or a Webmaster you’ll be producing stunning artwork in minutes. … Effect3D can also create dynamic 3D models by RTS animation so models can move back-and-forth, float, or rotate. … Over 500 models are cleverly categorized for easy browsing and with over 70 behavioral Bio-Morph animation’s to choose from; Effect3D gives you the freedom to create uncompromising images limited

3D GIF Designer produces animated high-quality 3D pictures, titles, banner ads and buttons for your Web page or for a presentation. You can create animations from your own pictures (JPG, GIF, BMP, AVI) and easily add 3D text and shapes. The sprites technology enables to control over … For quickly getting started, design your own animation from over 30 professional templates (banners, buttons, logos), and then save as animated GIF or AVI movies, or as set of JPEG or BMP files. … In addition, 3D GIF Designer allows you to animate sprites with several effects such as Swing, Rotate.

Stereogram Explorer is user-friendly design software for creating high-quality hidden 3D graphics, also known as Single Image Random Dot Stereograms (SIRDS) or Single Image Stereograms (SIS) known from the “Magic Eye” series. Stereogram Explorer uses advanced algorithms and can render… Main features: User-friendly interface Random dot stereograms (SIRDS) Pattern or textured stereograms (SIS) Support for many file types including GIFs, JPEGs, PICTs, and BMPs Import 3DS (3D Studio) models Export depth maps from 3D scene Auto calculated depth coefficient for loaded 3D models .

Pro Motion is a bitmap editor and animation package, ideal for creating pixel precise animations, images or icons used in games or Flash applications especially for handheld systems like mobile phones, game boy, PDA, Pocket PC and similar. It has a huge number of functions ranging from simple… copied to all equal tiles within the image) – tons of tools including color cycling, onion skinning, masking, symmetry paint, magic wand, tile painting for “infinite” textures-bitmaps and “standard” functions like line, curve, box, circle, fill (pattern, gradients) – lots of helpful animation.

3D Computer Animation: The Skills and Training You Need

3d animation or graphics make use of a 3 dimensional depiction of content that is in geometric form for the reason of rendering images that are in two dimensional forms. The usage of 3d animation may be immense. It may be used in computer graphic applications, making 3d animation games and even cartoon films for the kids. 3d animation may also be used in corporate reports and in websites and consequently because of their three dimensional nature make a better impact and sound understanding.

Similarity and difference between 3d animation and 2d animation

Although there is an entire dimension addition in 3d animation when compared to 2d, yet the basic algorithm on which 3d animation rely upon is the same in both the case. This simailarity is apparent in the wire frame format mainly.

The difference between the 2d and 3d animation is not enough. They both use each other to get the desired effects. For example 2d animation uses 3d effects like lighting and at the same time, the 3d animation uses rendering techniques that are taught in 2d. although there are differences like a 3d animation is technically not a graphic till the time it is rendered in such a way that visually it attains the stature of 3d. Thus, in order to be trained in 3d animation, one needs to be skilled in 2d graphics as well.

3d animation training

Bringing characters to life is not as easy as it appears. It needs a lot of practice and hard work. Although with a proper training in visual effects and an in-depth knowledge of 2d graphics and 3d animation, one can easily create, out of the world website, design products, make games that truly belong to the next generation and much more.

The answer such high goals and aspirations is a thorough and strong knowledge of Graphics and the various packages that may help you to render a sketch into life. Some of the packages that may make you a skilled in 3d animation are Flash, Macromedia etc. But before you know such 3d animation packages, it’s always advised to have an idea and perfection in packages like Photoshop that forms the basis of any graphic activity.

The 3d animation is taught in various schools and institutes focused in animation and communication design. Different institutes have different curriculum to offer its students in order to train them into skilled animators. Usually, computer animation courses include 2d and 3d animation, digital arts, digital animation course, editing and visual effect course etc.

The best part about 3d animation is that even professionals can excel the art by doing some online courses in the same field that enriches their art further and make them further skilled and expertise animators.

The Basic 3d animation knowledge

  • Developing primary characters by using bouncing ball principle.
  • Understanding the anatomy of the character and setting models with the help of knowledge in proportions.
  • Color theory knowledge.
  • Bone structure and skin textures.
  • Color rendering.

  • The Intermediate 3d animation skills

  • Modeling the character and understanding mesh tool.
  • Shading skills
  • Sketching and rigging skills.
  • Software knowledge and making their use.

  • Advanced 3d animation training

  • Conceptualizing an animation along with facial features and creating full fleshed characters.
  • Making short animation movie.
  • Shading, lighting and rendering using layers.
  • Giving the final fluid effect. Practically using all the packages together along with sketching to get the perfection in 3d animation.
  • Starting Your Own Animation Studios

    The 3 Camps

    There seems to be three major camps of animation artists. One camp’s long-term goal is to create, sell and produce their own television series or feature film. Another camp’s long-term goal is to create their own studio business. The third camp consists of people who are happy simply excelling as workers for hire.

    No matter what camp you fit into, most animation artists that have worked as off-site freelancers get a a taste of freedom that is similar to what it must feel like to be your own boss. You get to setup with your workday your own way. You can take a double lunch or catch a movie in the middle of the day and have the option to resume work again at night.

    Animation artists, by the nature of our careers, sometimes work alone for hours or days at a time to complete a job. It’s not surprising that many of us dream of opening our own studio where we could live and work in the ultimate example of independence.

    Paul Fierlinger sums up the allure of owning your own studios: “I don’t have to spend any time working with people I don’t like; the commute to work is easy; it’s easy to work anywhere from an hour to sixteen hours a day; the pay is anything buy regular; industry news and trends pass me by and I live in fear of where the next job is coming from instead of having to live in fear or when I’ll get sacked.

    Some create their own studio business more our of necessity than from passion. Large studios tend to hire a lot of artists fresh out of school. They seek out this inexperienced youthful labor because they can pay less and expect more time and loyalty in return. Some companies believe that it’s easier to train young workers who are free of the bad habits that years of experience can sometimes bring.

    Older workers will likely have family commitments, which pull them away from working late nights or taking on extra work for the weekend. Those who are forty years old and older either gravitate toward studio supervisor jobs or risk competing against an ever-growing crop of recent graduates for some of the same jobs.

    To stay competitive, the older people in the workforce must often lower their hourly rates, despite the wealth of experience they inherently bring to each project. It’s easy to see why some older animation artists feel that going into business for themselves would be the best way to continue a career in the industry.

    So You Want To Be An Animation Artist?

    Today, it is possible for animation artists to pickup the skills of their trade without going to a special school to study animation. There are numerous great books that teach animation techniques such as Richard Williams The Animator’s Survival Kit. By following the instructions in these books, you can conceivably teach yourself the nuts and bolts of animated film making. Taking the home instruction idea even one step further, some books are now equipped with CD’s and DVDs.

    The best talents in animation know that there is always more to learn. In a healthy career, we don’t reach a point when we throw our books or our tools away. We need them too much. Our journeys are over when we stop, not when we think we’ve learned all there is to know.

    So, if books play such an important part in our learning and development, why the need to enroll in an animation school? Why should one put in the time and expense required to get a degree in animation from one of the fine schools? It would be hard to imagine a filed where a college degree means less than it does in the animation industry. When it comes to finding a job, talent, enthusiasm and relationship all take precedence over where you got your degree.

    Why Go To School?

    Yet, before all the school recruiters faint in shock, I’d like to make the case for going to school. While it’s true that there are many great books teaching the art of animation, a book cannot critique your work. It is the trained eye that can help advance your skill by leaps and bounds. With the structure provided by teachers, assignments and grades, the availability of equipment, and the inspiration supplied by peers, one has the best shot at learning the animation arts.

    Learning the animation arts is a discipline. It’s not always fun. In school (or on the job), we’re not always drawing what we’re comfortable drawing. We are pushed to go beyond what we could or would be doing if left to our own devices.

    Perhaps, most importantly, animation schools employ teachers that are working in their field. While this does not automatically make them great teachers, it does help students have the opportunity to make those first vital connections they’ll need if they’re to break into the industry.

    How To Land A Job As An Animator

    In a typical animation career you wear many hats. You may have a specific expertise, but chances are that just as often, you’ll juggle many skills and titles from job to job. Animation artists find most of their work via word of mouth. No offense to agents, reps, and recruiters, but to succeed in finding work in the business of animation is to develop and maintain relationships. We are, as Barbra Streisand sang it, “people who need people.”

    The Simple Truth:

    The key to finding work in animation is to accept that this is a people-driven industry. People who know people who recommend people who hire people. Those who take a negative view of the importance of relationships to the job hunt boil it down to, it’s all based on who you know. This makes “who you know” sound like some random act of luck. In reality, you are responsible for “who you know”, for the relationships you create and sustain. Relationships require energy and effort.

    The business of animation in North America is small enough that even within a few short years, you could know someone connected to every studio on the continent. We’re all six degrees from our animation Kevin Bacon’s. Simple enough, right? But these truths are not self-evident and if they are, we certainly don’t behave all the time as if we hold this to be true. This simple truth will show up over and over again in this book.

    While there’s no guaranteed way to find work in the animation industry, there are a lot of things we can do to create the best possible odds for success. Happily, finding work in the animation industry is something that gets easier over time, as you expand your network of contacts and your reputation open doors for you.

    Sustaining Relationships Can Lead To Work:

    In the animation industry, sometimes, the most effective job-hunting happens in the most indirect way. Often, even when we make a good connection at a studio, the timing is not right for an immediate job. So, what can we do to “hang around” until something opens up without risking a restraining order? My favorite solution is to stay in touch with people via the occasional email.

    Recently, I was in a producer’s office when he received n email from a mutual friend of ours. I guess he’s out of work again, said the producer. I asked how he knew that without reading the e-mail. The producer replied, This guy only e-mails me when he needs work.

    People are not keeping in touch with their contacts enough while they are working. We need to nurture our contacts. Periodically send out updates to your contacts. Let them know where you’re working and why it’s a great experience. Either way, your contacts will be tickled that you thought of them. Over the years, I have received a few job offers as a result of mailing out some congratulatory message. While I wouldn’t say sending out email messages and updates should be anyone’s main focus for job-hunting, they are a part of what builds up a career over time.

    The Storyboard Artist

    The storyboard is the visual shot-by-shot translation of a script and is the basis for the entire production process that follows, including design, background and layout, animation, and post-production. Despite changing technology, storyboards are still mostly drawn by hand.

    Storyboards represent the finished product long before great time and expense goes into a project. The storyboard artist, working in the style of the production, maintains storytelling continuity, breaks down the script into scenes or shots, establishes the size relationships between characters and props, and indicates the acting by hitting strong poses on each story point. In addition, the storyboard artist is often the first to rough out new background locations, characters, and props. A storyboard artist balances strong drawing skills with a good knowledge of anatomy, acting, directing, staging, and the ability to think creatively and quickly. With such commanding skills, story-board artists often develop into animation directors.

    Veteran storyboard artist and co-creator of Frederator/Nickelodeon’s Call Me Bessie!, Diane Kredensor, describes the daily duties of a storyboard artist, First, you go through the script and thumbnail out your shots. Then you pitch your thumbnails to the storyboard supervisor or animation director for notes and changes. From there, you flesh it out, adding the acting, into a full rough storyboard. Some productions already have the voices recorded and the board artist will board to track. Otherwise, you create (draw) the acting and the voice actor match your board. Once your rough board is approved by the director, you make it pretty, putting everything on model, and then you’re done.

    What kind of training and skills does a storyboard artist need to develop to start out and to keep advancing in her career? According to Diane Kredensor, you want to be a good draftsman, able to draw the human figure in a variety of poses. ì Other skills should include strong storytelling, cinematography, staging and composition. Storyboards should clearly communicate ideas to the entire production team, so strong communication skills are an important asset.

    All the experts agree that the most intensive learning takes place on the job. The more experience you have out there working with other peoples good boards, the better your own boards become.

    The Character Animator

    Character animators work in 2D or 3D or in dimensions yet to be discovered, bringing life to talking rabbits, dancing hippos, anthropomorphic cars, near-sighted fish, and more dysfunctional families than you can shake a stick at. The principles of animation, including stretch and squash, weight, anticipation and overlapping action, were fully developed (largely at the Walt Disney studio) by 1942. Since then, character animators have applied these principles to projects with an infinite amount of stylistic variation, from full animation to low budget for the Web or TV. The character animator is a journeyman, accumulating experience and expertise over the courses of a career and a lifetime.

    What kind of training and skills does a character animator need to start out and also to keep advancing in their career? Feature animator Travis Blaise (Brother Bear), advises starting with the grass roots. Try to attend a school that teaches the fundamentals (figure drawing, painting, sculpting, art history) along with traditional animation. TV animator and director Jim Petropolis adds, “If you learn nothing else, learn how to draw a proper human figure.

    It is also important to understand storytelling, continuity, and acting. It’s less important to research technical how-to-animate books and more beneficial to find books on your favorite artists or illustrators. It is better to develop your own voice and its easy to get stuck animating the way everyone else does.

    What Are The Daily Duties Of A Character Animator?

    TV animator Justin Simonich answers: “As an animator you’re responsible for any scene given to you by the director, animating any characters assigned to you, and handing it by the deadline. The deadline is paramount; you have to work in a quick, yet deliberate manner.

    The daily duties of a character animator often go beyond their job descriptions. Jim Petropolis feels that once you’re in a loop, expect to wear many hats simultaneously. Over time you’ll probably be asked to do something different than what you might have hitherto been accustomed to.

    Character animators, whether they work in 2D or 3D, need to keep up with technology to stay employable. To stay current with technology, read articles about new software and try them out. If you see a cool look or effect on TV, try to imitate it with Flash and After Effects. It helps you build an arsenal of styles and looks.